Lámina Setup de Vilhelm Lundström
Precio de oferta
€16,95
Precio habitual
€23,95
Impuestos incluidos.
Los gastos de envío se calculan en la pantalla de pago.
Marco
Enmarcados de forma profesional por nosotros en madera maciza.
¿Qué tamaño debo comprar?
Nuestros marcos
Hecho a mano, creado para durar
Fabricado a mano con madera maciza de origen sostenible—nunca MDF o chapas endebles—para un marco resistente, elegante y construido para perdurar.
Listo para colgar
Tu obra llega bellamente enmarcada con herrajes traseros—sin complicaciones, solo cuelga y disfruta.
Protección que cuida
Protección acrílica premium con protección UV—mantiene tu arte seguro de la luz solar y la humedad para que se mantenga vibrante durante años.
De origen sostenible
Solo utilizamos madera y papel certificados FSC, así tu marco es tan amable con el planeta como con tus paredes.
No se pudo cargar la disponibilidad de retiro
Pide hoy, entrega el mar 09 -
jue 11 jun
99 días devol.
¿Cambias de idea? Sin más.
Hecho en la UE
Envío rápido
Aún mejor en persona
Color fiel al original.
Soporte humano real
Respondemos en 24h.
Acerca de esta obra
A medio camino entre Vilhelm Lundström y la Bauhaus, este bodegón se resiste a comportarse. Un rojo de buzón se apoya en verde viridiano, una jarra amarillo limón flota sobre un gris a lápiz y toda la composición contiene el aliento. Cuélgala donde quieras que la estancia despierte: en una pared lateral del salón, en el estudio sobre un escritorio de roble claro o en un hueco de la cocina donde la luz de media mañana haga su trabajo.
Combínala con cuero color camel, lino color avena, latón cepillado y una o dos vasijas de gres; deja que la lámina sea lo más llamativo del conjunto. Evita los florales cursis y los frentes de azulejo recargados a su alrededor: esta pieza pide una pared en blanco roto empolvado y una geometría limpia con la que contrastar. Impresa en papel de bellas artes de gran gramaje, con color rico y fiel al original.
Printing, Paper and Frames
Quality you can see (and feel)
Printed using museum-grade giclée technology on thick, matte art paper - no glare, just soft, natural colour that looks beautiful.
The kind of detail and depth that makes people lean in closer. Hand-framed in solid FSC-certified wood. Never cheap MDF or plastic-y veneers.
Won't fade, even in direct sunlight
Premium acrylic glaze with UV blocking keeps colours vibrant for 100+ years. Hang it anywhere - bedroom, hallway, that sunny spot above the sofa - without worry.
Unbox, hang, done
Arrives framed with fixtures already attached. Two minutes with a hammer and your wall goes from blank to "where did you get that?"
Made responsiblyFSC-certified wood and paper. Water-based, vegan inks. Crafted to order, so there's zero waste and zero guilt.
Delivery & Returns
Made near you, delivered fast
Your artwork is made locally in the EU to keep shipping quick, emissions low, and customs surprises off the table.
Packed with care, built to last
Every piece is safely packaged to arrive in perfect condition. If something’s not right, we’ll send a free replacement — fast and fuss-free.
Returns? No problem.
If you’re not 100% happy, you’ve got 99 days to return it. No drama. Just drop us a message and we’ll make it right.
Need it sooner?
Express shipping is available at checkout.
Fab Reviews
We're serious about art, ask away
From sizing to framing and print quality, Fab's art experts break it all down—so you can find the right art for your space.
¿Necesitas más ayuda? Contacta con nuestro equipo aquí
How do I frame an art print?
Good news—you don’t have to!
All of our prints are available professionally framed and ready to hang, so you can skip the trip to the framing shop and get straight to the fun part: styling your space. Here’s more info about our frames and service:
- Your choice of timeless frames - natural wood, black, white, brown, silver and, of course, gold.
- We use shatter-resistant acrylic glazing keeping delivery costs down and shielding your print from fading or sun damage—something cheaper glazes just don’t do.
- Every frame is carefully sealed on the back using acid-free, archival tape —keeping dust and moisture out and your print beautifully preserved.
- Hanging hardware already attached so just unbox, hang, and enjoy.
Prefer to frame it yourself? That’s totally fine too—we offer unframed prints in standard and A-sizes that fit most frames you can buy.
What makes Fab frames so good?
Not all frames are created equal. Many cheap frames are made with acidic materials or glazes that lack UV protection—meaning your beautiful print could fade, discolor, or deteriorate over time.
At Fab, we do things differently. Our frames are thoughtfully built to preserve and protect your artwork for the long haul. We use FSC-certified wood, 100% acid-free materials, and a UV-protective glaze to keep your print looking vibrant for decades.
That’s why our prints have an 80+ year archival lifespan—no fading, no yellowing, just art you’ll love for years to come.
If you're investing in art you love, it's worth framing it right.
How do I hang art prints?
It’s easier than you think—especially since our framed prints arrive ready to hang straight out of the box.
Here’s how to do it in a few simple steps:
- Pick a wall that needs a little love—above a sofa, bed, desk, or entryway works great.
- Make sure the space suits the size of your print (our size guide can help). Use painter’s tape or a pencil to mark where you want the top of the frame to sit.
- For single prints, aim for eye level (around 57–60 inches from the floor). Every Fab framed print comes with hanging hardware already attached.
Use a picture hook, nail, or adhesive wall strips, depending on your wall type and the weight of the frame. That’s it—your space just got a whole lot more beautiful.
Bonus tip: For a gallery wall, lay your prints on the floor first to plan your layout before committing to the wall
Will the red and lemon clash with warm wood floors and tan leather?
No — that's actually the strongest pairing for this print. The pillar-box red and lemon yellow are sitting on a cream ground, so they read as deliberate accents rather than colour pollution. Tan leather and oak amplify the warmth without competing; the viridian rectangle becomes the cool counter-note that keeps the whole scheme balanced.
Is the negative space around the shapes meant to read as empty, or is it part of the composition?
It's load-bearing composition. The pencil shading, the half-drawn arc and the cream paper are doing as much work as the coloured blocks — Lundström was treating the whole sheet as a designed surface. Hang it with generous breathing room on the wall (at least 30cm each side) so that negative space can keep reading as intentional.
Does this work in a small room, or will the colour feel overwhelming?
It works in small rooms provided the rest of the scheme is restrained. Because the composition sits on a cream ground rather than a saturated background, the print doesn't visually crowd a space — but pair it with pale walls, natural timber and one or two textural neutrals. Avoid hanging it in a room already carrying busy pattern or strong competing colour.
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