Order today for delivery by Botanical Study Art Prints
Botanical studies look at a plant the way a scientist would: one stem, one seed head, one leaf, drawn or painted with enough patience to show how it's put together. Expect antique herbarium plates, fine ink line drawings, soft watercolour specimens and pale scientific diagrams. One large study can anchor a wall on its own, though these prints are natural candidates for a repeating grid.
Blue Cyanotype Artichoke Art Print
Sale price
From £11.95
£19.95
Deep Red Brushstroke Bloom Art Print
Sale price
From £11.95
£19.95
Cow Parsley Cyanotype Art Print
Sale price
From £11.95
£19.95
Dill Botanical Cyanotype Art Print
Sale price
From £11.95
£19.95
Blue Cyanotype Botanical Study Art Print
Sale price
From £11.95
£19.95
Wild Rose Cyanotype in Blue Art Print
Sale price
From £11.95
£19.95
Blue Cyanotype Botanical Study Art Print
Sale price
From £11.95
£19.95
Blue Cyanotype Grasses Art Print
Sale price
From £11.95
£19.95
Pea Pod Blue Cyanotype Art Print
Sale price
From £11.95
£19.95
Blue Cyanotype Corn Cob Art Print
Sale price
From £11.95
£19.95
Radish Cyanotype Study Art Print
Sale price
From £11.95
£19.95
Asparagus Cyanotype Study Art Print
Sale price
From £11.95
£19.95
Buying a botanical study print
Answers on framing choices, picking a colour that suits your walls, and how returns work at Fab
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What are botanical prints called?
They're usually described as botanical illustrations or botanical studies "" detailed drawings or paintings of plants made to show structure such as leaves, stems, seed heads and flowers accurately. Older examples are often called antique or vintage botanicals, and many were originally produced as engravings or lithographs for plant reference books. Decorative reproductions of that style are simply sold as botanical art prints or botanical study prints.
Who are the famous botanical illustrators behind this style of print?
The tradition runs from 17th- and 18th-century plant engravers through to celebrated figures such as Pierre-Joseph Redouté, known for roses and lilies, and Maria Sibylla Merian, who paired plants with insects. Scientific societies and horticultural archives hold thousands of flora illustrations from the 1600s to the 1900s that shaped the look. Decorative botanical studies today borrow that same precise, specimen-on-a-plain-ground composition.