Year of the Snake Art Print

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Pine Islands and Waves Art Print

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Hotei by Kamisaka Sekka Art Print

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Peacock and Lotus Pond Art Print

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Onigiri Delight Art Print

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Tokyo Night Flower Market Art Print

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The Country Squire Art Print

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Asazuma in Her Boat by Sekka Art Print

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Peacock on a Blossom Branch Art Print

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Flower Market by Owen Jones, 1867 Art Print

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Rose Retro Risograph Poster Art Print

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Indigo Rhythm by Taguchi Tomoki Art Print

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Nightscape by Shin Bijutsukai Art Print

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Hokusai Bird and Red Sun Art Print

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Serene Morning Slumber Art Print

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Minowa Cranes by Hiroshige Art Print

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Blossom Harmony in Blue Art Print

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Wood Stork by John James Audubon Art Print

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The Great Wave with Black Cats Art Print

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Pegasus by Nakamura Fusetsu Art Print

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Cat Under Banana Leaves Art Print

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Fuji-San Sightseeing Poster Art Print

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Mount Fuji by Kamisaka Sekka Art Print

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Sushi — Made in Japan Art Print

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Tokyo Watercolour Landmarks Art Print

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Okinawa Hibiscus Travel Poster Art Print

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Lake Biwa Snowfall by Hiroshige Art Print

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Moonlit Cat in the Meadow Art Print

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Cat Nap on a Stack of Cushions Art Print

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Peacock in Pine, Japanese Study Art Print

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Bonaparte’s Gull by Audubon Art Print

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Crane and Plum Blossom Art Print

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Morning Calm with Cat Art Print

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Peacock Beneath Bamboo Art Print

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Peacock and Autumn Maple Art Print

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Peacock Beneath Pine and Blossom Art Print

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Peacock on a Blossom Branch Art Print

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Peacock and Cherry Blossom Art Print

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Peacock in Snow with Blossom Art Print

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Peacock and Chrysanthemum Art Print

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Peacock and Chrysanthemums Art Print

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What people say about Traditional Japanese Art Prints

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Vivid colours, crisp detail and quality paper give these prints a hand-painted feel, with neat framing adding to their appeal.

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Great quality paper, vivid, beautiful color

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Retro Japanese Rose Poster Art Print - White Reviewed Rose Retro Risograph Poster Art Print →

Questions before you choose a print

Short answers on framing choices, picking a subject, hanging height and how returns work at Fab

Need more help? Contact our team here

What is the difference between ukiyo-e, shin-hanga and sosaku-hanga Japanese prints?

They are three chapters of Japanese woodblock printmaking. Ukiyo-e, meaning pictures of the floating world, flourished in the Edo period, made by a team of designer, carver, printer and publisher, with kabuki actors, beauties, landscapes and nature as favourite subjects. Shin-hanga, or new prints, began around 1910 and kept that team system while adding Western realism, perspective and atmospheric light, often in romantic travel scenes. Sosaku-hanga, creative prints, broke away entirely: one artist drew, carved and printed the work, giving bolder, more personal, sometimes abstract results.

What are the most famous traditional Japanese woodblock prints, and what makes each one recognisable?

The best known is Hokusai's Under the Wave off Kanagawa, or The Great Wave, from Thirty-six Views of Mount Fuji, recognisable by its claw-like curling crest, three slender boats, deep Prussian blue and a tiny Mount Fuji framed in the trough. From the same series, Fine Wind, Clear Weather stands out for its bold red-orange Fuji. Hiroshige's Fifty-three Stations of the Tokaido is known for travellers, rain, and snow along a scenic highway, while Utamaro's beauties are identified by close-up portraits with elongated faces and elegant hairstyles. You may also like our Hokusai Art Prints.

What do Japanese tigers, cranes and koi symbolise in traditional Japanese prints?

In traditional Japanese prints, tigers stand for strength, courage and protection, often read as guardians that drive off misfortune, and they are sometimes paired with a dragon to suggest balance between opposing forces. Cranes signal longevity, good fortune and lifelong devotion, which is why they turn up in wedding and celebration imagery. Koi carry perseverance and ambition, rooted in the legend of a carp climbing a waterfall to become a dragon. As décor advice, tiger imagery energises a bold wall, while cranes and koi suit calmer bedrooms, hallways and reading corners. For a related option, explore our Nature Art Prints.

How do traditional Japanese landscape prints differ from bijin-ga, kacho-ga and warrior subjects?

Landscape prints, known as fukei-ga, take place itself as the main subject, often famous views (meisho-e) of mountains, coastlines, travel roads and changing weather or seasons. Bijin-ga centres on elegantly dressed women and fashion, kacho-ga isolates birds, flowers and small nature studies in intimate close-up, and warrior prints (musha-e) stage samurai heroes from history and legend in dramatic action. For decorating, landscapes tend to read as calm and open, bird-and-flower designs as delicate accents, and figure or warrior scenes as bold focal points. For another take, browse our Japan Art Prints.

Which traditional Japanese art prints work best for a living room feature wall?

For a living room, we'd go with a large-format Japanese landscape print or a Hokusai wave print at 70x100cm. That size sits beautifully above a standard sofa and gives the artwork enough breathing room to actually feel like the statement it deserves to be. Subjects like Mount Fuji, crashing waves, or sweeping cherry blossom scenes have enough visual depth and movement to anchor a whole room. Our framed prints arrive ready to hang with UV-protective acrylic glazing, so even if your sofa sits near a window you won't see fading over time.

Are these good enough quality to give as a gift, or will they look cheap in person?

Honestly, this is where we really shine. Our traditional Japanese art prints are giclée-printed on thick museum-grade matte paper, and the framing uses solid FSC-certified wood, not MDF or veneers. We hear constantly from customers that the prints look even better in person than on screen. If you're gifting, choose a framed option because it arrives fully fitted and ready to hang in one box, no assembly required, no separate frame to wrestle with. A framed ukiyo-e art print in the 40x50cm or 50x70cm range makes a genuinely impressive gift.

Can I pair Japanese prints with modern or minimalist interiors, or will they clash?

Traditional Japanese art prints are one of the most natural fits for minimalist spaces we can think of. The clean compositions, restrained colour palettes, and focus on negative space in ukiyo-e and Japanese landscape prints mirror exactly what minimalist design is trying to achieve. A single cherry blossom print or a muted Hiroshige landscape in a slim black frame on a white or warm grey wall looks effortlessly intentional. We'd avoid going smaller than 50x70cm in a minimal room though, because small prints on big empty walls just look like an afterthought.

How do I choose between a wave print, cherry blossom, or Mount Fuji scene?

Think about the energy of the room you're decorating. A Japanese wave print like Hokusai's Great Wave brings drama and movement, perfect for a space that needs a focal point, like a living room or hallway. Japanese cherry blossom prints are softer and more meditative, which makes them ideal for bedrooms or reading nooks. A Mount Fuji art print sits somewhere in between: grounding, calm, but still visually commanding. If you have a blank wall that feels flat and lifeless, the wave is your best bet. If the room already has plenty going on and you want something that settles it, cherry blossom.

Why do traditional Japanese prints still look so contemporary hundreds of years later?

Ukiyo-e artists like Hokusai and Hiroshige were obsessed with bold flat colour, dynamic composition, and nature as subject matter, all things that modern graphic design and contemporary interiors still draw from heavily. That's why vintage Japanese prints don't feel dated on a wall the way, say, a fussy Victorian oil painting might. The graphic clarity of Japanese woodblock prints means they hold their own next to modern furniture, concrete, and clean lines. It's not a coincidence that these prints are more popular now than they've ever been in Western homes.