Morris Stag Cotton Prints Exhibition Art Print

Rated 4.8 by 4044 customers
Sale price £11.95 Regular price £19.95
  • 40% off sale ends in
  • Taxes included. Shipping calculated at checkout.
    Size
    Frame

    Professionally framed by us in solid wood.

    Recommended
    Delivery calendarOrder today for delivery byMon 14 - Wed 16 Sep
    99-day returns No hassles
    Made in UK Fast UK shipping
    True to screen No colour surprises
    Real people Replies within 24h

    3705 verified five-star reviews

    About This Art

    When the living room feels over-arranged, this kind of stag portrait helps. A calm focal point pulls the eye back to one thing and gives the rest of the room permission to settle.

    It brings warmth without shouting. The deep green ground holds the wall steady, the peach and cream florals add lift, and the stag does the rest. Lamplight in the evening makes the whole thing feel softer and more grounded.

    Hang it in a study, a hallway with a console below, or above a sideboard in a country-leaning living room. Eye level works. Above a low chair or bench is fine too.

    Pair it with oak, aged leather, linen, brass fittings, a stack of old books, stoneware on a sideboard. Deep painted walls flatter it; chalky off-whites let it breathe.

    Skip pairing it with another busy pattern piece nearby. One statement print earns its keep on its own. Printed on premium fine-art paper, with the option to add a real wood frame.

    Printing, Paper and Frames

    Quality you can see (and feel)
    Printed using museum-grade giclée technology on thick, matte art paper - no glare, just soft, natural colour that looks beautiful.

    The kind of detail and depth that makes people lean in closer. Hand-framed in solid FSC-certified wood. Never cheap MDF or plastic-y veneers.

    Won't fade, even in direct sunlight
    Premium acrylic glaze with UV blocking keeps colours vibrant for 100+ years. Hang it anywhere - bedroom, hallway, that sunny spot above the sofa - without worry.

    Unbox, hang, done
    Arrives framed with fixtures already attached. Two minutes with a hammer and your wall goes from blank to "where did you get that?"

    Made responsiblyFSC-certified wood and paper. Water-based, vegan inks. Crafted to order, so there's zero waste and zero guilt.

    Delivery & Returns

    UK made, delivered fast
    Your artwork is made in the UK within 48hrs keeping shipping quick, emissions low, and customs surprises off the table.

    Free delivery on orders over £69.99
    Standard delivery on orders below this of £4.99. We ship using a mix of couriers including DPD, Royal Mail and Evri.

    Need it sooner?
    Express shipping is available at checkout.

    Packed with care, built to last
    Every piece is safely packaged to arrive in perfect condition. If something’s not right, we’ll send a free replacement — fast and fuss-free.

    Returns? No problem.
    If you’re not 100% happy, you’ve got 99 days to return it. No drama. Just drop us a message and we’ll make it right.

    View full details

    We're serious about art, ask away

    From sizing to framing and print quality, Fab's art experts break it all down—so you can find the right art for your space.

    Need more help? Contact our team here

    How do I frame an art print?

    Good news—you don’t have to!

    All of our prints are available professionally framed and ready to hang, so you can skip the trip to the framing shop and get straight to the fun part: styling your space. Here’s more info about our frames and service:

    • Your choice of timeless frames - natural wood, black, white, brown, silver and, of course, gold.
    • We use shatter-resistant acrylic glazing keeping delivery costs down and shielding your print from fading or sun damage—something cheaper glazes just don’t do.
    • Every frame is carefully sealed on the back using acid-free, archival tape —keeping dust and moisture out and your print beautifully preserved.
    • Hanging hardware already attached so just unbox, hang, and enjoy.

    Prefer to frame it yourself? That’s totally fine too—we offer unframed prints in standard and A-sizes that fit most frames you can buy.

    What makes Fab frames so good?

    Not all frames are created equal. Many cheap frames are made with acidic materials or glazes that lack UV protection—meaning your beautiful print could fade, discolor, or deteriorate over time.

    At Fab, we do things differently. Our frames are thoughtfully built to preserve and protect your artwork for the long haul. We use FSC-certified wood, 100% acid-free materials, and a UV-protective glaze to keep your print looking vibrant for decades.

    That’s why our prints have an 80+ year archival lifespan—no fading, no yellowing, just art you’ll love for years to come.

    If you're investing in art you love, it's worth framing it right.

    How do I hang art prints?

    It’s easier than you think—especially since our framed prints arrive ready to hang straight out of the box.

    Here’s how to do it in a few simple steps:

    1. Pick a wall that needs a little love—above a sofa, bed, desk, or entryway works great.

    2. Make sure the space suits the size of your print (our size guide can help). Use painter’s tape or a pencil to mark where you want the top of the frame to sit.

    3. For single prints, aim for eye level (around 57–60 inches from the floor). Every Fab framed print comes with hanging hardware already attached.

    Use a picture hook, nail, or adhesive wall strips, depending on your wall type and the weight of the frame. That’s it—your space just got a whole lot more beautiful.

    Bonus tip: For a gallery wall, lay your prints on the floor first to plan your layout before committing to the wall

    Will the deep green background look too heavy in a small room?

    The green reads dark but the cream and peach florals lift it, so it doesn't sit on the wall like a block of colour. In smaller rooms with chalky off-white walls and a lamp nearby, it warms the space rather than closing it in. It struggles more in cool grey schemes than in small footprints.

    Is the stag the obvious focal point, or does the pattern compete with it?

    The stag sits dead centre and is the largest single shape, so the eye lands there first. The botanical pattern reads as a textured backdrop rather than a competing subject. From a normal viewing distance the composition reads cleanly as a portrait with pattern behind, not as wallpaper.

    Does the exhibition text along the bottom date the piece or make it feel gimmicky?

    The typography is part of the design and is treated as a quiet block at the foot of the image, in keeping with old museum and gallery posters. It gives the piece context rather than reading as a slogan, and most viewers register it as period detail rather than marketing.