William Morris Rabbit Exhibition Poster Art Print

Good news—you don’t have to!

All of our prints are available professionally framed and ready to hang, so you can skip the trip to the framing shop and get straight to the fun part: styling your space. Here’s more info about our frames and service:

• Your choice of timeless frames - natural wood, black, white, brown, silver and, of course, gold.
  
• We use shatter-resistant acrylic glazing keeping delivery costs down and shielding your print from fading or sun damage—something cheaper glazes just don’t do.
  
• Every frame is carefully sealed on the back using acid-free, archival tape —keeping dust and moisture out and your print beautifully preserved.
  
• Hanging hardware already attached so just unbox, hang, and enjoy.

Prefer to frame it yourself? That’s totally fine too—we offer unframed prints in standard and A-sizes that fit most frames you can buy.

Not all frames are created equal. Many cheap frames are made with acidic materials or glazes that lack UV protection—meaning your beautiful print could fade, discolor, or deteriorate over time.

At Fab, we do things differently. Our frames are thoughtfully built to preserve and protect your artwork for the long haul. We use FSC-certified wood, 100% acid-free materials, and a UV-protective glaze to keep your print looking vibrant for decades.

That’s why our prints have an 80+ year archival lifespan—no fading, no yellowing, just art you’ll love for years to come.

If you're investing in art you love, it's worth framing it right.

It’s easier than you think—especially since our framed prints arrive ready to hang straight out of the box.

Here’s how to do it in a few simple steps:

1. Pick a wall that needs a little love—above a sofa, bed, desk, or entryway works great.
   
   
2. Make sure the space suits the size of your print (our size guide can help). Use painter’s tape or a pencil to mark where you want the top of the frame to sit.
   
   
3. For single prints, aim for eye level (around 57–60 inches from the floor). Every Fab framed print comes with hanging hardware already attached.

Use a picture hook, nail, or adhesive wall strips, depending on your wall type and the weight of the frame. That’s it—your space just got a whole lot more beautiful.

Bonus tip: For a gallery wall, lay your prints on the floor first to plan your layout before committing to the wall

It actually does the opposite when hung solo. Because the detail is uniformly distributed around a calm central rabbit, the eye reads it as one textured block — closer to wallpaper than to chaos. Keep neighbouring walls plain and limit other pattern in the room (cushions, curtains) and the print becomes a focal pause rather than added visual noise.

It sits back. The 'William Morris' header and 'South Kensington' venue text are set in a restrained black on the same putty ground as the border, so they read as poster framing rather than a headline. From normal viewing distance — around 1.5 to 2 metres — the eye lands on the rabbit first, the florals second, and the type registers last.

Yes — this is the palette's home territory. The tobacco brown of the rabbit and the dusty olive ground pick up oak and walnut tones directly, and the soft plaster pinks among the peonies warm against linen and rattan. It struggles more against cool greys, stark whites and black-metal modernism, where the muted tones can read dusty.